• So You Want to Make a Comic? Here's What you Need to Know First.
    • 4/21/26

    So You Want to Make a Comic? Here's What you Need to Know First.

    Holding your first printed comic with your name on the cover in your hands is one of the best feelings in a creative life. But before you go down that road, there are a few questions you need to answer honestly — because making comics requires something I call creative endurance.

    This episode is about an important Long Road Question: why do you want to make comics? Not because any answer is wrong, but because your answer shapes everything that follows — how you approach it, what you're willing to sacrifice, and whether you'll still be on the road a year from now. I also talk about the passion tax — the price you pay to do any creative endeavor in time, money, effort, and opportunity cost — and the three viable paths to actually making comics happen.

    Oh, and to increase the level of difficulty, I recorded this while holding my seven-week-old son. Because I was on baby duty and the Long Road doesn't stop for nap time.

    This is also my first attempt to start identifying relevant terms/concepts to build a shorthand.

    A glossary of sorts.

    Let me know if these are helpful and I will include more of them!

    🎬 The Long Road is a weekly vlog about staying in the creative life. 📖 Substack: https://substack.com/@boochomatic‍ ‍
    ▶ Subscribe:    / @brianbooch  

  • I Can Tell in 10 Minutes If a Writer Will Make It. Here's How
    • 4/14/26

    I Can Tell in 10 Minutes If a Writer Will Make It. Here's How

    There is one skill — uncomfortable, unglamorous, non-Instagramable — that separates working writers from people who stay stuck wanting to be one. And if you don't have it, no amount of passion will save you.

  • I Got the Check. Then the Notes Started.
    • 4/7/26

    I Got the Check. Then the Notes Started.

    The moment someone hands you a check for your work, the work changes. Writing on spec is freedom. Writing for hire is something entirely different. When you write for yourself, you're the final authority. The second a project sells or gets optioned, someone else has skin in the game.

  • 5 Mistakes I Made When I Finally Got in the Room
    • 3/31/26

    5 Mistakes I Made When I Finally Got in the Room

    Getting general meetings in Hollywood — what people in the industry used to call the water bottle tour — sounds like a win. And it is. But when I finally got in those rooms, I made five mistakes that cost me real opportunities. Nobody coaches you on this. Your reps prep you, but they can't live it for you.

  • I Took the Long Road. Here's What That Actually Looks Like.
    • 3/24/26

    I Took the Long Road. Here's What That Actually Looks Like.

    Most creative careers don't happen overnight. They happen slowly — over years, sometimes decades — between kids, jobs, and a thousand detours you didn't plan for. I've been a working writer for over 15 years, but the journey started almost 30 years ago.